انگاره‌پردازی «قلمرو فیلم‌پیمایی» شهری: تدوین الگوی مفهومی آفرینش مکان به مثابه مقصد گردشگری فیلم

نوع مقاله : مقاله پژوهشی

نویسندگان

1 کارشناسی ارشد طراحی شهری، بخش شهرسازی، دانشکده هنر و معماری، دانشگاه شیراز

2 دانشیار طراحی شهری، بخش شهرسازی، دانشکده هنر و معماری، دانشگاه شیراز

چکیده

گردشگری فیلم به‌عنوان شاخه‌ای از گردشگری فرهنگی در حال ظهور است که ارتباط آن با محیط‌های شهری، پالایش و بازنمایی مطلوب محیط توسط سازمان‌های مدیریت مقصد و بازآفرینی فضاهای شهری نیازمند بررسی و تحلیل است. مقاله حاضر، پژوهشی است نظری با هدف بازخوانی و انگاره‌پردازی مفاهیمی که با وجود پیشینه‌ای چند دهه‌ای، تاکنون در حوزه ادبیات شهرسازی، طراحی شهری و گردشگری شهری کمتر مورد مداقّه بوده است. در این پژوهش که با روش توصیفی-تحلیلی و با استفاده از مطالعات کتابخانه‌ای انجام شده است، ارتباط میان زمینه گردشگری فیلم و طراحی شهری، و آن‌گاه بازآفرینی پهنه‌های فرهنگی-تاریخی مورد واکاوی قرار می‌گیرد. در این فرآیند، مفاهیم فضا و قلمرو همگانی، با همراهی نظریه مرحله آینه‌ای لاکان، و سه‌گانه فضایی لوفور، چارچوب مطالعه و تحلیل نقش سینما در شکل‌گیری تصاویر ذهنی از شهر و تجربه مقصد گردشگری را پایه‌ریزی می‌نماید. یافته‌های این پژوهش نشان می‌دهد که جهان دیالکتیکی تکوین‌یافته در ذهن و تصوّر گردشگر فیلم می‌تواند در هم‌آفرینی فضای شهری نقش داشته باشد. برونداد این بازخوانی، در قالب نموداری مفهومی ارائه می‌شود که در آن آفرینش قلمرو فیلم‌پیمایی به مثابه نوعی از مکان که حلقه واسط میان اصالت و مصرف مقصد گردشگری فیلم است، مطرح می‌گردد. این پژوهش، با تکیه بر سه‌گانه‌های فضایی وارسی‌شده، بالقوّگی‌های طراحی شهری را در ارتباط با توسعه مقصد گردشگری فیلم شناسایی می‌کند، و می‌تواند در رفع شکاف‌ موجود میان حوزه‌ مطالعات گردشگری فرهنگی، فیلم و طراحی شهری راهگشا باشد.

کلیدواژه‌ها

عنوان مقاله [English]

Conceptualizing the Urban ‘Film-Induced Realm’: A Model for Place Idealized as Film Tourism Destination

نویسندگان [English]

  • Seyed Ali Asadinia 1
  • Sahand lotfi 2
  • Mahsa Sholeh 2
1 M. A. in Urban Design, Department of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University
2 Associate Professor, Department of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University
چکیده [English]

Film tourism has become a significant subset of cultural tourism, drawing attention for its ability to reshape urban spaces and influence placemaking. Despite its growing impact, the process by which cinematic portrayals contribute to urban regeneration and place identity has not yet been extensively explored within urban planning and design scholarship. This article addresses this gap, proposing a model that conceptualizes the ‘film-induced realm’ as a distinctive urban environment shaped by the interplay of cinema, urban design, and tourism management.
The urban spaces featured in films often acquire an idealized identity that attracts tourists, creating a sense of place that blends reality with cinematic imagination. Through aesthetic choices, filmmakers create compelling representations of cities, which destination management organizations amplify to enhance the location’s appeal. This leads to the creation of ‘film-induced realms,’ where an urban area gains symbolic meaning and allure through its cinematic depiction. Drawing on Jacques Lacan’s mirror stage theory and Henri Lefebvre’s spatial triad, this study provides a structured framework for analyzing the influence of cinema on the perceptions and experiences of tourists within urban environments. Lacan’s mirror stage, which explores idealized self-images, parallels how tourists perceive film locations as idealized extensions of reality. Lefebvre’s spatial triad—conceived, perceived, and lived spaces—further illustrates the interaction between urban design and film tourism, demonstrating how cinematic portrayals shape tourist perceptions and local experiences of space.
Public space and territoriality play critical roles in this transformation, as film tourism often repurposes public spaces as iconic attractions. Tourists visiting these sites engage with them experientially, reshaping their understanding of the location. This interaction generates a ‘dialectical space,’ blending the tourist’s imagination, the physical environment, and the cinematic narrative into a hybrid place identity that balances authenticity with commodification. Film tourism can thus catalyze urban regeneration, enhancing the cultural and economic value of public spaces by promoting local heritage in a globalized context.
The conceptual model developed here defines the ‘film-induced realm’ as an urban space-place where cinematic and touristic influences converge, creating a distinctive sense of place. It explores how a location’s intrinsic qualities are repurposed within the cinematic narrative to attract film tourists, fostering an authenticity that is both genuine and constructed. This dual authenticity underscores the commodification process in film tourism, where elements of urban heritage are curated to reflect the cinematic image, impacting both visitor perceptions and local identity.
This model provides insights into urban design and tourism management, offering a strategic approach to enhancing cultural tourism through film-induced spaces. By presenting a theoretical foundation for understanding the transformational potential of film locations, this study fills a critical gap in the literature, positioning the ‘film-induced realm’ as a valuable concept for practitioners and academics in urban design, planning, and cultural tourism. Ultimately, this research calls for further exploration into how cinematic representations can shape urban spaces and enrich the experiential quality of places, enabling cities to capitalize on the appeal of film tourism while preserving the authenticity of their cultural heritage.
 

کلیدواژه‌ها [English]

  • Placemaking
  • On-screen tourism destinations
  • Every-day practice
  • Urban design
  • Film-induced realm

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نشریه هنرهای زیبا: معماری و شهرسازی
دوره 29، شماره 2
تیر 1403
صفحه 35-50

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